Do not get driven away from what others say. You be in the driver seat of your life. It is not necessary the influential people in your life have to be believed. Believing partly is the best way. ‘Bhoomi Gundagidhe’ the short story of Nagathihalli Chandraskehar now ‘Olave Jeevana Lekkachara’ says all these developments for the commoners and this is going to be a right concept film for rural India.
In the days of ‘Prekshaka Mushkara’ we have made this film and for such a scenario the industry is responsible. For me especially it is my 11th film and I call it as a mistake of my life. It is ‘Prasava Vedhane’ ‘Agni Parikshe’ right from the ‘Undu Hodha Kondu Hodha’ says Nagthi. The first half is talkative and second half is becomes very serious in ‘Olave Jeevana Lekkachara’. I have maintained the ‘Red’ color throughout the cinema. Don’t consider it as a dangerous cinema but thought provoking cinema says Nagthi. Producer Manju identified it is not there in two scenes. The ‘Red’ color and the ‘Train’ play prominent role in this film. In the start, middle and end train plays a vital role. You have been encouraging to me throughout in my career and encourage this ‘U/A’ certificate ‘OJL’ said Nagathihalli. When the story was published it was controversial but now the director has taken legal safety.
I am in tension and nervous. When I saw the songs screened today I recollected the memories of shoot said actress Radhika Pandit. The children song is good and with newcomer Rajesh I have song a song for the pair Kitty and Daisy said state award winning singer Chytra.
The Boudhika Sankalpa for 19 to 25 years of age is what my role aims at says Rangayana Raghu. It is ‘dhikku Thappiso pathra’. I was similar for 13 years in my life in ‘Ranga Bhoomi’ then I realized there is something more. That brain washed situation I have encountered in life explained Rangayana Raghu.
Producer K.Manju banking heavily on the caliber of Nagathihalli Chandrasekhar says firmly money is not always important. There is no fight and regular love in this film. But the class and mass can lap up a class film says Manju.